Adjusted Margin Av Kate (Assistant Professor Of Culture And Media Studies The New School) Eichhorn

<b>How xerography became a creative medium and political tool, arming artists and activists on the margins with an accessible means of making their messages public. </b><p>This is the story of how the xerographic copier, or “Xerox machine,” became a creative medium for artists and activists during the last few decades of the twentieth century. Paper jams, mangled pages, and even fires made early versions of this clunky office machine a source of fear, rage, dread, and disappointment. But eventually, xerography democratized print culture by making it convenient and affordable for renegade publishers, zinesters, artists, punks, anarchists, queers, feminists, street activists, and others to publish their work and to get their messages out on the street. The xerographic copier adjusted the lived and imagined margins of society, Eichhorn argues, by supporting artistic and political expression and mobilizing subcultural movements. </p><p>Eichhorn describes early efforts to use xe