Erotic City and Beyond  Prince Place and the Making of an Icon

Erotic City and Beyond Prince Place and the Making of an Icon

Contributions by Arthur Banton, Adrian A. Bautista, Shannon M. Cochran, Nancy J. Holland, Zachary Hoskins, Judson L. Jeffries, Zada Johnson, Deirdre T. Guion Peoples, Caterina Y. Pierre, John Rafalski, Molly Reinhoudt, Gina Shropshire, and Laura Tiebert Erotic City and Beyond: Prince, Place, and the Making of an Icon, th......
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Erotic City and Beyond  Prince Place and the Making of an Icon
Erotic City and Beyond Prince Place and the Making of an Icon
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Contributions by Arthur Banton, Adrian A. Bautista, Shannon M. Cochran, Nancy J. Holland, Zachary Hoskins, Judson L. Jeffries, Zada Johnson, Deirdre T. Guion Peoples, Caterina Y. Pierre, John Rafalski, Molly Reinhoudt, Gina Shropshire, and Laura Tiebert Erotic City and Beyond: Prince, Place, and the Making of an Icon, the third and final volume in the PrincEnlighteNmenT: A Study of Society through Music project, explores the intricate, complex, and nuanced interplay between Princes artistry, his social orbit, and the enduring impact of his life and work. Divided into three thematic sections, essayists examine how his music and public persona intersected with race, gender, politics, and geography, revealing him as both a product and a shaper of postmodern civil rights America. Part I, "Space, Place, and Political Sociology in Princes World," considers how Prince engaged with urban landscapes, gender, and social critique. Essays explore him as a postmodern flneur in Under the Cherry Moon, interpret "When Doves Cry" as a meditation on Black urban life and masculinity, and situate Paisley Park, his former home and recording studio in the suburb of Chanhassen, Minnesota, as a site of cultural memory and mythmaking. Part II, "Iconography and the Making of a Legend," examines how Prince destabilized hierarchies of race, gender, and sexuality, challenged the boundaries between creator and performer, and redefined his role as a "Black New Waver," expanding a genre often marked by racial division. The final section, "Purple Tears, Mourning, and the Psychology of Living," turns to Princes legacy, exploring how fans find meaning, transformation, and inspiration through their connections to him, highlighting the cultural power of fandom as both a reflection of and response to the artists influence. Together, the essays in this volume demonstrate that a richer understanding of Princeand the America that shaped himemerges from examining the social, cultural, and political contexts in which he lived and created.

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