Francois Le Moyne

Francois Le Moyne

First Painter to the king in 1736 for only a few months before his tragic death, Fran¿s Le Moyne had a career as short as it was prolific. Teacher of Charles-Joseph Natoire and Fran¿s Boucher, and contemporary of Antoine Watteau and Jean-Fran¿s de Troy, he reached the height of his glory with his Apotheosis......
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<p>First Painter to the king in 1736 for only a few months before his tragic death, Fran¿s Le Moyne had a career as short as it was prolific. Teacher of Charles-Joseph Natoire and Fran¿s Boucher, and contemporary of Antoine Watteau and Jean-Fran¿s de Troy, he reached the height of his glory with his <em>Apotheosis of Hercules</em> painted between 1732 and 1736 on the immense ceiling of the Salon d¿Hercule, located between La Chapelle Royale and the royal apartments of the Ch¿au de Versailles. After so many years spent in oblivion, Le Moyne is finally recognised today as one of the major artists of the 18th century, exerting a seminal influence on the following generations.</p><p>Nearly 40 years after his first monograph devoted to the painter, Professor Jean-Luc Bordeaux proposes a renewed survey of the oeuvre of Fran¿s Le Moyne (1688¿1737). Bordeaux analyses Le Moyne¿s contributions to the French rococo as well as lesser-known aspects of his artistic production and career. With almost
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First Painter to the king in 1736 for only a few months before his tragic death, François Le Moyne had a career as short as it was prolific. Teacher of Charles-Joseph Natoire and François Boucher, and contemporary of Antoine Watteau and Jean-François de Troy, he reached the height of his glory with his Apotheosis of Hercules painted between 1732 and 1736 on the immense ceiling of the Salon d’Hercule, located between La Chapelle Royale and the royal apartments of the Château de Versailles. After so many years spent in oblivion, Le Moyne is finally recognised today as one of the major artists of the 18th century, exerting a seminal influence on the following generations.Nearly 40 years after his first monograph devoted to the painter, Professor Jean-Luc Bordeaux proposes a renewed survey of the oeuvre of François Le Moyne (1688–1737). Bordeaux analyses Le Moyne’s contributions to the French rococo as well as lesser-known aspects of his artistic production and career. With almost 140 paintings and 250 drawings, this new catalogue raisonné is an extended edition of the one published in 1984, with significant additions. It also includes an appendix of around 20 pages that describes a considerable amount of works by Le Moyne, now lost but attributed to him by famous collectors of the time and 18th century experts such as Gersaint, Mariette, Paillet and Remy.

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Oppdag kunsten til Francois Le Moyne

Francois Le Moyne, en lysende stjerne i den franske rococo-perioden, var ukjent i lang tid, men nå får hans fantastiske verk den anerkjennelsen de fortjener. Med et liv som var både kort og intenst, etterlot han seg en arv av kunstverk som fortsatt inspirerer i dag. Hans mest kjente verk, Apotheosis of Hercules, er et imponerende midtpunkt på taket av Salon d’Hercule ved Château de Versailles, malt mellom 1732 og 1736.

Unike egenskaper ved Francois Le Moyne's verk

  • Etterslekt: Le Moyne var lærer for kjente kunstnere som Charles-Joseph Natoire og François Boucher.
  • Stil: Hans arbeid er preget av detaljrikdom, myke linjer og en rik fargepalett som karakteriserer rokokkoens eleganse.
  • Status: Han var den første maleren til kongen i 1736, en posisjon som bare varte i noen måneder før hans tidlige død.

En ny vurdering av Francois Le Moyne

I en ny monografi undersøker professor Jean-Luc Bordeaux Le Moyne's betydning innen kunsthistorien, og fremhever hans innflytelse på fremtidige generasjoner. Med dypere analyser av hans mindre kjente verker, gir Bordeaux et fascinerende innblikk i denne betydningsfulle kunstnerens arbeid.

Er du en kunstelsker, eller ønsker du bare å vite mer om en av 1700-tallets mest bemerkelsesverdige kunstnere? La deg bli fascinert av Francois Le Moyne og hans uforglemmelige bidrag til kunstverdenen!

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