GRIME

<p><strong><i>One of</i> Publishers Weekly''s <i>Most Anticipated Poetry Books for Fall!</i></strong></p><p><strong>From addiction and familial dysfunction to gentrification and police brutality, <em>GRIME</em> examines harsh realities through an activist lens with a rare deftness of poetic form.</strong></p><p>"Thea Matthews is our sacred underground; the only host of our ascension."—<strong>Tongo Eisen-Martin, author of </strong><em><strong>Blood on the Fog</strong></em></p><p><em>GRIME</em> is the underbelly of the city and the dirt found in the human psyche. These poems explore the dichotomous gravity of despair and desire, apathy and protest, defeat and survival. They trace San Francisco''s skyline to encapsulate being born and raised in a metropolis that has grown increasingly strange to its native citizens, even as it serves as a mnemonic for past trauma and death.</p><p>Part elegy, part call to resistance, <em>GRIME</em> chronicles Matthews'' childhood growing up in the Tenderloin, amidst the glamour and allure of its drug-fueled street life and the squalor of its poverty and addiction, even as the poems veer off from the autobiographical into portraits and dramatic monologues, on the one hand, and experiments with traditional forms like ghazals and pantoums, on the other. The poems hold grit and anguish in one breath, marrying an unflinching eye to a rare formal assurance. As austerity pushes the margins of each page, in poem after poem, the setting shifts, the characters assume different names, yet every moment interlocks to expose the grime of living in the city.</p><p>Yet <em>GRIME</em> is also a story of triumph and resiliency in the face of insurmountable odds, an assertion of the power of poetry in wrestling with grief, addiction, and calamity. It seeks moments of healing based on interpersonal connection and faith. <em>GRIME</em> is a poetics of survival and defiance.</p> <br>