I Sugar The Bones

<p>Through the porosity of the US/Mexico border, Freudian slippages, and toxic relationships, poet Juana Adcock interrogates what it means to cross from one country into another – the gradient spaces that inhabit the nexus between life and death, and the people and languages that sit either side of it.</p><p>Ghostly glitches, the role of rivers, and the character of Lisa Simpson as voiced for the Latin American market all empower I Sugar the Bones to stand as a polyvocal display; one where revelatory restlessness is underpinned by predicaments and realities which work to complicate the vistas of the interpersonal.</p>