Picture Cycle Av Masha Tupitsyn

<b>A multigenre investigation of the personal and cultural annals of memory, identity, and spectatorship, both on and off the screen.</b><p>In exchange for studying what each fraudulent cell looks like under a merciless commercial and commodified lens, viewers enable late-capitalism to run more smoothly by calling in with their votes, as is the case with Reality TV. From the inside, secrecy appears eradicated, as though secrets or coded transparencies comprise the totality of injustice, rather than just one part. Justice is reduced to a vantage point. We see and we see and we see ad infinitum.<br>—from <i>Picture Cycle</i></p><p>With her debut collection <i>Beauty Talk & Monsters</i> (2007), Masha Tupitsyn established a new genre of hybrid writing that melded film criticism, philosophy, and autobiography. <i>Picture Cycle</i> continues Tupitsyn''s multigenre investigation of the personal and cultural annals of memory, identity, and spectatorship, both on and off the screen. C