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<b>An illustrated examination of a work—a Warhol that isn''t by Warhol—that embodies a shift in attitudes about artistic authorship and originality.</b><p><i>Warhol Marilyn</i> (1965) is not a work by Andy Warhol but by the artist Elaine Sturtevant (1930–2014). Throughout her career, Sturtevant (as she preferred to be called) remade and exhibited works by other contemporary artists, among them Jasper Johns, Roy Lichtenstein, and Robert Rauschenberg. For <i>Warhol Marilyn</i>, Sturtevant used one of Warhol''s own silkscreens from his series of Marilyn printed multiples. (When asked how he made his silkscreened work, Warhol famously answered, “I don''t know. Ask Elaine.”) In this book, Patricia Lee examines <i>Warhol Marilyn</i> as representing a shift in thinking about artistic authorship and originality, highlighting a decisive moment in the rethinking of the contemporary artwork.</p><p>Lee describes the cognitive dissonance a viewer might feel on learning
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