This Isn't Happening Radiohead's 'Kid A' and the Beginning of the 21st Century

<B>THE MAKING AND MEANING OF RADIOHEAD'S GROUNDBREAKING, CONTROVERSIAL, EPOCHDEFINING ALBUM, <I>KID A</I>.</B></br></br> In 1999, as the end of an old century loomed, five musicians entered a recording studio in Paris without a deadline. Their band was widely recognized as the best and most forward-thinking in rock, a rarefied status granting them the time, money, and space to make a masterpiece. But Radiohead didn't want to make another rock record. Instead, they set out to create the future.</br></br> For more than a year, they battled writer's block, intra-band disagreements, and crippling self-doubt. In the end, however, they produced an album that was not only a complete departure from their prior guitar-based rock sound, it was the sound of a new era-and it embodied widespread changes catalyzed by emerging technologies just beginning to take hold of the culture. What they created was <I>Kid A</I>.</br></br> Upon its release in 2000, Radiohead's fourth album divided critics. Some called it an instant classic; others, such as the UK music magazine <I>Melody Maker</I>, deemed it "tubby, ostentatious, self-congratulatory... whiny old rubbish." But two decades later, <I>Kid A</I> sounds like nothing less than an overture for the chaos and confusion of the twenty-first century.</br></br> Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of <I>Kid A</I>, outlining the album's pervasive influence and impact on culture in time for its twentieth anniversary in 2020. Deploying a mix of criticism, journalism, and personal memoir, Hyden skillfully revisits this enigmatic, alluring LP and investigates the many ways in which <I>Kid A</I> shaped and foreshadowed our world.