David Lynch

<DIV><DIV><DIV>A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice. We enter these famously cinematic interiors to be wrapped in plastic, the fundamental substance of Lynch’s work. This volume revels in the weird dynamism of Lynch’s plastic worlds. Exploring the range of modern design idioms that inform Lynch’s films and signature <I>mise-en-scène,</I> Justus Nieland argues that plastic is at once a key architectural and interior design dynamic in Lynch’s films, an uncertain way of feeling essential to Lynch’s art, and the prime matter of Lynch’s strange picture of the human organism.</DIV><DIV> </DIV><DIV>Nieland’s study offers striking new readings of Lynch’s major works (<I>Eraserhead, Blue Velvet, Wild at Heart, Mulholland Dr., Inland Empire</I>) and his early experimental films, placing Lynch’s