Decreation Av Anne Carson

<p>In her first collection in five years, Anne Carson contemplates ''decreation'' - an activity described by Simone Weil as ''undoing the creature in us'' - an undoing of self. But how can we undo self without moving <i>through</i> self, to the very inside of its definition? Where else can we start?<br><br>Anne Carson''s <i>Decreation</i> starts with form - the undoing of form. Form is various here: opera libretto, screenplay, poem, oratorio, essay, list, montage. The undoing is tender, but tenderness can change everything, or so the author appears to believe.<br><br>By turns exhilarating and bewildering, lucid and hermetic, Anne Carson is a maverick with a thrilling range of skills. As Charles Simic says, ''Carson takes risks, subverts literary conventions, and plays havoc with our expectations. She is a wonder: an unconventional, often difficult poet who has a huge following among today''s readers of poetry and whose work has been honoured with our most prestigious literary awards.''