Engagements with Adaptation

<p><i>Engagements with Adaptation</i> invites students both to consider adaptations on their own terms and to engage with the urgent questions they raise about literary canons, the media industry, the relations among different kinds of media, the nature of national, political, and cultural identities, and the ways contemporary digital and social media have complicated the roles of producers and consumers of texts.</p><p>Thomas Leitch guides students through six ways of thinking about adaptation: aesthetic, intertextual, industrial, biological, sociological, and participatory He explores multiple media and discusses a wide range of sources, including <i>Frankenstein</i>, <i>Persepolis</i>, <i>Bridgerton</i>, and the world of DC and Marvel comics. Each of the six chapters includes a detailed discussion of Greta Gerwig’s film <i>Barbie</i> to help readers gain compare the ways these six approaches can engage with a single text. The book also offers invaluable insight into copyright, censorship, critical race theory, and immigration. The questions at the end of each section embed and reinforce learning and prompt further research.</p><p>This accessible and engaging guide shows how the ‘anti-discipline’ of adaptation studies is adjacent to a remarkable array of disciplines, making it a much-needed resource for students interested in television studies, moving image studies, digital media studies, translation studies, performance studies, music and art history and creation, border studies, race studies, queer studies, disability studies, and ecocritical studies.</p>