Jews in Suits

<p><b>Shortlisted for the Leslie and Sophie Caplan Award for Jewish Non-Fiction</b><br><br>Surviving photographs of Jewish Viennese men during the <i>fin-de-siècle</i> and interwar periods – both the renowned cultural luminaries and their many anonymous coreligionists – all share a striking sartorial detail: the tailored suit. Yet, until now, the adoption of the tailored suit and its function in the formation of modern Jewish identities remains under-researched.<br><br><i>Jews in Suits </i>uses a rich range of written and visual sources, including literary fiction and satire, ''ego-documents'', photography, trade catalogues, invoices, and department store culture, to propose a new narrative of men, fashion, and their Jewish identities. It reveals that dressing in a modern manner was not simply a matter of assimilation, but rather a way of developing new models of Jewish subjectivity beyond the externally prescribed notion of ''the Jew''. Drawing upon fashionable dress, folk costume, religious dress, avant-garde, oppositional dress, typologies which are often considered separate from one another, it proposes a new way of reading men and clothing cultures within an iconic cultural milieu, offering insights into the relationship of clothing and grooming to the understanding of the self.</p>