Necro

Standing loud and proud over so many imitators, Necro is the musical equivalent of a classic shock-horror movie that’s drenched in blood and gore and packed with over-the-top extremities. Delve beyond the zombified cover art created by Stockholm-based tattooist and artist Jens Olsson (Ink Fanatics), Necro serves as a reminder of just how special and exciting the genre is: packed with blood-curdling fantasy stories about war, death, zombies, world apocalypse, and murder all stacked with disgustingly-good rotten riffs. After recording and releasing their critically acclaimed third full-length, 2020’s Misanthropic Breed, during the pandemic, this time around getting back into the studio properly was paramount. And while Misanthropic Breed was recorded at the quartet’s rehearsal space where the band produced all their demos, LIK recorded Necro at NBS Studio (AKA Necromorbus Studio) in Söderfors, two hours from their home city. Once again using uber producer Lawrence Mackrory (Meshuggah, Katatonia, High Parasite, Decapitated), all music was recorded live over a three day period, before vocalist/guitarist Tomas Åkvik headed to Uppsala to record his vocals at Mackrory’s Rorysound Studios. Mackrory has worked with LIK – whose name translates to “corpse” in Swedish – since their 2015 debut Mass Funeral Evocation and throughout their Metal Blade Records’ career that started with 2018’s Carnage. Within Necro’s ten tracks, LIK has created a seamless album, diverse in tempo but without losing any of their blood-soaked intensity and relentless in your-face-attitude listeners have come to expect. There are twists and turns that keep LIK on a progressive path without straying from their old-school trademark sounds inspired by the godfathers Dismember, At The Gates and, of course, Entombed.