Quantum Screens

<P><B>An exploration of how nonlinear storytelling opens a post-Newtonian reality and changes both the hero’s journey and how we understand history in film and television.</B></P><P> Begin at the beginning and keep going until the end. That’s the cardinal rule of conventional storytelling. But ever since the modernists of the early twentieth century, popular narratives have occasionally eschewed this linear approach to temporality. It’s as though our stories, formerly unfolding in the stable, predictable universe of Newtonian physics, can now take place in multidimensional time where anything and anyone can be as incalculable as SchrÖdinger’s cat. </P><P><I>Quantum Screens</I> is a journey through the past and present of nonlinear time in film and television. Moving beyond the early experiments of Luis BuÑuel and the first nonlinear commercial films, such as <I>2001: A Space Odyssey</I>, Martha Nochimson shows how risk-taking auteurs David Lynch, Damon Lindelof, and Terrence Malik have opened new horizons and a new concept of beauty in storytelling through their revelatory creations. <I>Quantum Screens</I> takes us deep into the audience’s experience of nonlinearity, exploring the emotional dislocations such storytelling creates, using television programs such as <I>Twin Peaks</I>, <I>Westworld</I>, and <I>Watchmen</I>, and films including <I>The Tree of Life</I>, <I>BlacKkKlansman</I>, and <I>Arrival</I>. Indeed, viewers are at the heart of a changing aesthetics of nonlinearity, Nochimson argues. Amid innovations like on-demand viewing, unlimited replay, and binge-watching, the experience of real time is more malleable than ever, and creators are responding by structuring their stories in compelling new ways. </P>