Urban Eyes Germanspeaking Emigre Photographers in New York in the 1930s and 1940s

<p><strong>Exile through the camera's eye in New York</strong></p><p>When the National Socialists came to power, New York became a major city of arrival and a new base for German-speaking photographers. At this time, photography was undergoing a radical transformation as it sought to establish itself as an art form. The migrants, in turn, brought with them a broad spectrum of professional training and photographic skills. The camera served as a medium for engaging with the metropolis, reflecting on the experience of migration, building networks and simply surviving economically.</p><p>In order to comprehensively analyse the complex relationships between photography and exile in the context of the metropolis of New York, Helene Roth takes a closer look at the creative achievements and heterogeneous perspectives, but also the setbacks of migrated photographers. From a transnational perspective, she engages with the socio-cultural, political and artistic developments of the 1930s and 1940s.</p>