Wood Calls Out to Wood

<p><b><q>Even now, Donly suggests, there may be a way of living in radical tenderness that will spell a way forward rather than the end of it all.</q> —Kate Dakota Kremer, <i>CultureBot</i></b></p> <p>Two horses in a neigh-scent relationship, a vacant treehouse in need of a tenant, and a human with a grape for a head. In Corinne Donly's buoyant adaptation of Hieronymus Bosch's fifteenth-century triptych <i>The Garden of Earthly Delights</i>, syllables combine to make words and people to make lovers. An elegy to vestiges, a paean to puns, and a theater of peace, <i>Wood Calls Out to Wood</i> pursues Bosch's old paradise through a new alchemy of love, language, and radical tenderness.</p>