American Weathervanes Av Robert Shaw

<b><i>American Weathervanes: The Art of the Winds</i>, published to coincide with an exhibition at the American Folk Art Museum, reveals the beauty, historical significance, and technical virtuosity of American vanes fashioned between the late seventeenth and early twentieth centuries.</b><br><br>This American art form has long been an enduring part of the country''s skylines. Early church steeples were graced with weathercocks, following a European tradition that dates to the MiddleAges. America''s first documented vane maker, metalsmith Shem Drowne of Boston, crafted a number of surviving vanes, including the iconic golden grasshopper that has topped the city''s Faneuil Hall since 1742. Farmers, blacksmiths, and other craftsmen proudly fashioned roosters, cows, horses, and other forms for country barns, and as the tradition and public demand expanded over the course of the nineteenth century, so did the diversity of forms, which grew to fill the mail order catalogs of commercial manu